GANNETS

The east coast of Yorkshire boasts one of the best locations for seabird photography. The RSPB of Bempton Cliffs at Flamborough is a seabird spectacular, with thousands of birds breeding here over the summer. It is also the only mainland breeding colony for Gannets. I'd only visited once before - a few years ago, where I had shot mainly landscapes. During mid-summer, the raucous cries of seabirds fill the air as Gannets, Puffins, Guillemots and Fulmars fly to and from their cliff-based nests. For any wildlife photographer this is a cracking spot. Not only are there masses of birds to photograph, but the viewpoints are fantastic - put simply, you can shoot from the tops of the cliffs (safely!) and be at exactly the same level as various birds fly past and hang in the stiff coastal breeze.

 

I'd really come for the Gannets, with the hope of getting good flight shots. Probably the best place to photograph them from, is a few hundred yards right from the visitor centre. My first shoot was in the evening, and I was amazed at just how close the birds come. Their nest are not accessible, so they know they're pretty safe... I took a few general pictures with a wide angle lens to show the environment, then set about on my flights shots. The number one thing to do is to watch their flight pattern first, and be aware of the wind as the birds will tend to fly into the wind to slow down and land. Picking out an individual bird was tough, but I soon found an area where many Gannets seemed to be coming in to land and I was able to track them as flew in.

 

The light was overcast so my shutter speeds were getting lower - I had already uprated to ISO 200 and now the sky was starting to change colour as the light faded even more. However, this wasn't time to pack up and head back just yet. With sunset's colour beginning to touch the sky and cloud, I realised that this could make interesting conditions for silhouetted flight shots. Using my 300mm at f4 I could get about 1/500 second, and so the next fourty pictures or so were attempts at flight images against the dusk sky. Gannets would often fly in from the same direction, and I was ready - shooting on servo autofocus at the fastest shutter speed possible as they spilledthe air from their wings and fell lower, making for wonderful mid-air poses. I took a range of images against plain sky and cloud, and was happy to see just how sharp some were.

 

Although I had planned straight sillhouettes against the sky, the available light reflected beautifully off the birds' white plumage allowing for shots like this one.

 

The next morning I returned at about 6.00am - a little later than planned, as I had managed to leave my car keys in the B+B after putting their key back through the letterbox. I was relieved when half an hour later, someone was up early to let me in... After my mishap, I arrived in beautiful weather with a mostly clear sky and the odd cloud. The sun was out at sea, and so I was able to do exactly what I had hoped... to shoot the Gannets into the light, helping to retain detail in their white plumage, and also making for more interesting lighting.
 

This was one of the few static shots I took at Bempton. Shooting towards the light really accentuates their shape and texture, particularly that buff coloured neck. Fence posts along the top make for excellent camera supports ensuring sharp images.

 

 

I made many exposures, always shooting towards the light, with the autofocus working overtime. The best opportunities were when birds hung briefly against the breeze, which they did fairly regularly, and I was able to fire a series of shots. I found the best way to support the camera was on a beanbag on a fence post - I rested the lens on the beanbag, and panned or pivoted the camera body to follow and compose. I noticed a few birds bringing back extra nesting material, usually seaweed, and I was determined to get one good shot of this. After many failed attempts I finally managed to get the shot, as this bird hung in the breeze for just long enough...

When visiting a popular place for photography, I'm keen to try and produce something different. One of my main aims was to use the colourful campion flowers in the foreground to add something extra and provide some blurred colour. This worked really well on a number of images and not only is it visually appealing, but it is completly natural and indicative of where this colony of birds live.

Next year I hope to take a trip on the boat to the foot of the cliffs - I envisage looking up through a cloud of wheeling birds against the majestic backdrop.. another possibility to add to many at this great site...

 

Paul Miguel

 

 

 

 

PAUL MIGUEL Photography

stunning landscapes... and the wildlife within...

email: paul.miguel@ntlworld.com

tel: 07759 485791